Girls, Ryan Davis, 2 min
A found footage montage that pokes fun at domesticity, gender roles and shopping.
Dancing Shoes*, Rachel Syms, 1 min
Colorful shoes are footloose & fancy-free.
Wikki Stick Party, Six Kuzins Productions, 2 min
A fun animated film—these stick figures can outdo the Rockettes any day.
Loose Ends, ID Tech Film Camp, 4 min
girl battles with her inner critic and wins.
Pushing Back the Limits, Ya Ya Productions, 15 min
A period drama with a strong feminist edge that connects today's youth with the maverick women who fought for the rights we so enjoy. This award-winning epic took the 2000 Creative Excellence Award at the Backyard National Film Festival. Note: The credits are not to be missed.
Photobooth of Change*, EPFC Girls, 3.5 min
The social change you hope for—in a flash.
The Unborn*, written by Martine Syms, 3 min, Shot by the EPFC
Reproductive rights are under siege by our president, the radical right and flying fetuses. A horror film based on a true story.
Nightswimming, Ellen Cooper, 3 min
An underwater adventure that explores the pleasure of a solitary swim.
True Beauty*, Vikki Herrera, 6 min
A candid portrait of an incredible young woman who talks honestly and humorously about her life.
DanceMeDead*, Jessie Clavin, 3 min
Stylishly shot and featuring a rockin' soundtrack, this film will get your groove going. Just be careful what you drink afterwards.
Gentrification Documentary*, Stephanie Cisneros, 8 min
This is a rough cut of a work in progress by a 17-year old filmmaker who is exploring the gentrification her Echo Park neighborhood, a predominately Latino working class community in Los Angeles. Thoughtful and intimate, Cisnero's film explores a community in transition. In Spanish.
Pool Party*, Jessie Clavin, 4 min
Another visually stunning short by Los Angeles filmmaker Jessie Clavin, this Super 8 film takes the most stereotypical trope of So-Cal life to a new, noirish level.
Judy Feels Sad, Sadie Benning, 3 min
Not technically a part of the program as Benning was in her 20s when she made this classic from “The Judy Spots,” I threw in this favorite because it so aptly captures of torturous state of gender specific adolescence we call girlhood. |